The Most Unrealistic WWE Storylines Ever Attempted

When Wrestling Goes Off the Rails: WWE’s Strangest Plotlines Fans Can’t Forget

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Professional wrestling has always walked the line between sports and entertainment. WWE, in particular, is known for its wild theatrics, colorful characters, and larger-than-life drama. But sometimes, storylines push the boundaries so far that even the most devoted fans are left scratching their heads. Whether it’s supernatural elements, bizarre romances, or outright strange twists, WWE has created some narratives that leave viewers wondering, “Who thought this was a good idea?”

This list takes a look at some of the most unrealistic WWE storylines ever attempted — ones that even the most imaginative fan would struggle to make sense of. While creativity is part of what makes wrestling so popular, these plots remind us that not every idea is a winner. Let’s revisit four of the weirdest storylines that have become infamous in WWE history.

1. Kane and Lita’s Forced Wedding and Pregnancy

Kane and Lita (Image via Getty)

One of the strangest and most uncomfortable storylines WWE has ever produced was the forced relationship between Kane and Lita in 2004. Kane, portrayed as a monstrous villain, became obsessed with Lita, one of the most popular female wrestlers at the time. The plot took a disturbing turn when Kane revealed that Lita was pregnant with his child — despite her relationship with Matt Hardy.

The narrative had Kane manipulating and terrorizing Lita into marrying him in a bizarre televised wedding ceremony. The storyline mixed themes of control, fear, and manipulation, making it hard to watch. To make matters worse, the pregnancy ended in tragedy when Gene Snitsky “accidentally” caused Lita to miscarry during an in-ring altercation. This incident led to Snitsky’s infamous line, “It wasn’t my fault,” but no amount of catchphrases could make up for the uncomfortable nature of this storyline.

Fans widely criticized this angle for its tasteless handling of sensitive topics. Even for WWE, which is known for pushing boundaries, this was a narrative that felt unnecessarily dark and unrealistic.

2. Vince McMahon’s “Death” and Return

The Katie Vick Controversy (Image via Getty)

In 2007, WWE staged one of its most infamous and unrealistic moments when Vince McMahon, the company’s chairman, was “killed” on live television. After stepping into a limousine and shut the door, the vehicle exploded in dramatic fashion, leaving fans and commentators stunned. WWE pushed the storyline hard, treating McMahon’s “death” as a real-life event, with tributes and somber episodes following the incident.

However, just weeks later, McMahon appeared on TV again, very much alive, effectively abandoning the storyline without proper explanation. The sudden end was due to real-world events, including the Chris Benoit tragedy, which forced WWE to scrap any ongoing narratives and address more serious matters.

Still, even without those external circumstances, the idea of blowing up the company’s owner in a murder mystery storyline was a step too far for many viewers. It was a perfect example of WWE trying to create an “edge-of-your-seat” moment that turned out to be too far removed from reality — and difficult for fans to take seriously.

3. The Katie Vick Controversy

The Katie Vick Controversy (Image via Getty)

No list of unrealistic WWE storylines would be complete without mentioning the infamous Katie Vick angle. In 2002, WWE ran a storyline where Kane was accused by Triple H of causing the death of a woman named Katie Vick. What followed is widely considered one of the most distasteful segments ever aired on WWE television.

Triple H, dressed as Kane, appeared in a funeral home and climbed into a casket with a mannequin supposed to represent Vick. The segment suggested a necrophilia act, portrayed as an attempt to humiliate Kane. Fans and critics alike were appalled, and the backlash was immediate and widespread.

Aside from being offensive, the storyline made no sense from a character or narrative perspective. Kane, already established as a dark and mysterious figure, didn’t benefit from this angle — and neither did Triple H, whose portrayal of a ruthless villain went beyond acceptable limits. WWE has since tried to distance itself from this storyline, but for many fans, it remains a symbol of how wrong things can go when creative risks are taken without considering the audience’s tolerance.

4. Hornswoggle as Mr. McMahon’s Son

Hornswoggle as Mr. McMahon’s Son (Image via Getty)

WWE has always loved family secrets and surprise reveals, but the storyline about Mr. McMahon’s illegitimate child took an unexpected and unrealistic turn when it was revealed that Hornswoggle — the company’s comedic leprechaun character — was his son.

Initially, WWE teased a major storyline in 2007 around who Vince McMahon’s secret child might be, fueling fan speculation about a possible rising star being added to WWE’s powerful McMahon family. Instead, the reveal of Hornswoggle as the “son” turned a serious plotline into a full-on comedy act.

Though Hornswoggle had his moments as a fan-favorite, the twist made little sense and felt like a letdown after weeks of buildup. Rather than advancing anyone’s career or delivering a meaningful story, it became a running gag that few fans took seriously. It also undermined the dramatic buildup WWE had invested in for weeks.

Even as a comedy storyline, many felt this went too far, turning what could have been a compelling narrative into an unrealistic farce. Years later, it’s still remembered as one of WWE’s most bizarre creative choices.

Why WWE Keeps Pushing the Limits

WWE’s long history of over-the-top storylines shows the company’s willingness to take creative risks. Sometimes, these risks pay off, creating unforgettable moments that fans talk about for years. But as these examples show, not every idea works — and some stray so far from reality that they damage the company’s credibility.

Part of WWE’s appeal lies in its mix of athleticism and storytelling, but there’s a fine line between entertainment and absurdity. When storylines involve forced relationships, fake deaths, or absurd family secrets, they often lose the emotional connection that makes wrestling drama compelling. Instead of getting invested, fans are left confused or even uncomfortable.

Still, these unrealistic storylines have become part of WWE’s history — as much for what they say about the company’s creative extremes as for their entertainment value. Whether you love them, hate them, or love to hate them, they’re unforgettable parts of wrestling lore.